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秋吉台国際芸術村 Akiyoshidai International Art Village レジデンス・サポート・プログラム 2017-2018
47A temporary shelter where the Moonlight and sun staytogetherEspecially, the installation work to be placed in the outdoorpublic space is implemented in a form of a gardenforming an ecoloical space with the gathering of towersand expanded/arch-type objects. The towers are structuresin an individual unit with a cylindrical form as thebasis, being made of heterogeneous and unique materialscolors and images of a green bamboo tree andsilvery pipes. They form an organic communal spacebased on geometric shapes and patterns generated bystacking or laying out many cylindrical structures. Thiswork can be observed by walking around the windowsand alleys of the AIAV building, and be encounteredas people walk around the stage where the audienceis gathered, or the outdoor space serving as a publicspace. This outdoor space is a courtyard of the building,maximizing the sensations of appreciating the work inthe environment which allows interactions with sensibleand temporal elements including air, wind, weather andseason.In this work, I have borrowed the unit-type moveable,temporary and variable spatial structure found in Japanesetraditional architecture and cultural and structuralpoints in Japanese-traditional gardens. While bringingin the expansionary structure of traditional houseswhere expansion goes on and on like the skin of an onionto the installation, I reflected the spatial compositionas a collective composition in the wild environment ?towers, temples, mountains, stones and islands ? formingan ideally miniaturized landscape by using abstractand Western-style methodologies emerging in Japanesetraditional gardens. In particular, I researched theconcept of a garden as a place of ideation connectingthe world of God and that of humans as well as thecorrelations between stones and places which cannotbe neglected in the history of Japanese gardens, alongwith the composition mechanism embedded in theforms where natural objects were arranged and placedin the project.This building sits in a courtyard as a public space whichwas given a meaning of ‘ocean space’ by Isozaki Arata,a Japanese architect who built this in the late 90s. Mywork combining the prototype of a future city operatedby the arrangement of symbols, signals and lining up ofthings, and the endless flows and changes is anotherworld of the future existing on the imaginary ocean consistingonly of black stones. It creates the stories of thenew era reflecting adversity and crisis, and optimismand alternatives.