{"id":2480,"date":"2018-12-01T10:00:10","date_gmt":"2018-12-01T10:00:10","guid":{"rendered":"http:\/\/aiav.jp.219-118-64-146.sv02.siriuscloud.jp\/?p=2480"},"modified":"2019-03-28T07:46:09","modified_gmt":"2019-03-28T07:46:09","slug":"20%e5%91%a8%e5%b9%b4%e8%a8%98%e5%bf%b5%e3%83%af%e3%83%bc%e3%82%af%e3%82%b7%e3%83%a7%e3%83%83%e3%83%97%e7%ac%ac%ef%bc%93%e5%bc%be-%e3%80%8c%e3%82%aa%e3%83%aa%e3%82%b8%e3%83%8a%e3%83%ab%e3%82%a2","status":"publish","type":"post","link":"https:\/\/aiav.jp\/en\/2480\/","title":{"rendered":"\u201cShoot Your Original Action Film!!\u201d"},"content":{"rendered":"\n

Information<\/h4>\n\n\n\n
Dates<\/td>1st \u2013 2nd December, 2018 \/ 10:00-17:00<\/td><\/tr>
Venue<\/td>Akiyoshidai International Art Village<\/td><\/tr>
Lecturer<\/td>Nao YOSHIGAI (trans_2013-2014)<\/td><\/tr>
Call for participants<\/td>Capacity: About 10 people
Age: High school students or older<\/td><\/tr>
Participation Fee<\/td>Free, Reservation required<\/td><\/tr>
How to Apply<\/td>Please call, email or use the online form to apply with your name, address, phone number and your date of birth.<\/del>
\u203bThe event has ended.<\/strong>
<\/td><\/tr>
PDF<\/td>Download the flyer here<\/a>.<\/td><\/tr><\/tbody><\/table>\n\n\n\n

Lecturer<\/h4>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
Nao YOSHIGAI<\/h5>\n\n\n\n

Born in 1987. After she studied Dance at Dance studies major at Japan Women\u2019s College of Physical Education, she entered Graduated School of Film and New Media at Tokyo University of the Arts. She is creating the time focused on Seeing and Hearing as the movie from materials of the physical sense and phenomenon particular to creature.
The film \u2018hottamaru\u30fbdays\u2019 (2015\/directed by Nao Yoshigai) was awarded the New Face Award of Entertainment Division at Japan Media Arts Festival.
She had Solo exhibition \u201cBreathing House\u201d (AI KOWADA GALLERY\/Tokyo\/2018), group exhibition \u201cPrimal Water\u201d(Bellagio Gallery of Fine Art\/Las Begas\/2018).


Participated artist of AIAV AiR Support Program trans_2013-2014.<\/a><\/p>\n\n\n\n

Time Schedule
<\/h4>\n\n\n\n
1st Day<\/h5>\n\n\n\n
  • 9\uff1a00\u3000\u3000 Reception<\/li>
  • 10\uff1a00\u3000\u3000Meet Up<\/li>
  • \u3000\u3000\u3000\u3000 \u30001. Watch!<\/strong><\/li>
  • \u3000\u3000\u3000\u3000 \u3000How to make? What kind of work?<\/li>
  • 12\uff1a00\u3000\u3000Lunch Break<\/li>
  • 13\uff1a00\u3000\u30002. Shoot!<\/strong><\/li>
  • \u3000\u3000\u3000\u3000 \u3000Shooting movies with body moving.<\/li>
  • 17\uff1a00\u3000\u3000Call it<\/li>
  • <\/li><\/ul>\n\n\n\n
    2nd Day<\/h5>\n\n\n\n
    • 10\uff1a00\u3000\u3000Meet up<\/li>
    • \u3000\u3000\u3000\u3000 \u30003. Edit!(1)<\/strong><\/li>
    • \u3000\u3000\u3000\u3000 \u3000Editing with shot pieces.<\/li>
    • 12\uff1a00\u3000\u3000Lunch Break<\/li>
    • 13\uff1a00\u3000\u30004. Edit!(2)<\/strong><\/li>
    • \u3000\u3000\u3000\u3000 \u3000Finishing editing.<\/li>
    • 15\uff1a00\u3000\u3000Screening!<\/strong><\/li>
    • 17\uff1a00\u3000\u3000Finish!<\/li><\/ul>\n\n\n\n

      \u203bThere is a possibility that the schedule may be changed.<\/p>\n\n\n\n

      Sample works by Nao Yoshigai<\/strong><\/h4>\n\n\n\n
      \n